Episodes

Saturday May 30, 2020
The Not-Two: Logic and God in Lacan - Lorenzo Chiesa
Saturday May 30, 2020
Saturday May 30, 2020
In The Not-Two, Lorenzo Chiesa examines the treatment of logic and God in Lacan’s later work.
Chiesa draws for the most part from Lacan’s Seminars of the early 1970s, as they revolve around the axiom "There is no sexual relationship." Chiesa provides both a close reading of Lacan’s effort to formalize sexual difference as incompleteness and an assessment of its broader implications for philosophical realism and materialism.
Chiesa argues that "There is no sexual relationship" is for Lacan empirically and historically circumscribed by psychoanalysis, yet self-evident in our everyday lives. Lacan believed that we have sex because we love, and that love is a desire to be One in face of the absence of the sexual relationship. Love presupposes a real "not-two." The not-two condenses the idea that our love and sex lives are dictated by the impossibility of fusing man’s contradictory being with the heteros of woman as a fundamentally uncountable Other. Sexual liaisons are sustained by a transcendental logic, the so-called phallic function that attempts to overcome this impossibility.
Chiesa also focuses on Lacan’s critical dialogue with modern science and formal logic, as well as his dismantling of sexuality as considered by mainstream biological discourse. Developing a new logic of sexuation based on incompleteness requires the relinquishing of any alleged logos of life and any teleological evolution.
For Lacan, the truth of incompleteness as approached psychoanalytically through sexuality would allow us to go further in debunking traditional onto-theology and replace it with a “para-ontology” yet to be developed. Given the truth of incompleteness, Chiesa asks, can we think such a truth in itself without turning incompleteness into another truth about truth, that is, into yet another figure of God as absolute being?
Lorenzo Chiesa is a philosopher who has published extensively on psychoanalysis. His works in this field include Subjectivity and Otherness: A Philosophical Reading of Lacan (MIT Press, 2007); Lacan and Philosophy: The New Generation (Re.press, 2014); The Not-Two: Logic and God in Lacan (MIT Press, 2016); and The Virtual Point of Freedom (Northwestern University Press, 2016). Since 2014, he has been Visiting Professor at the European University at Saint Petersburg and at the Freud’s Dream Museum of the same city. Previously, he was Professor of Modern European Thought at the University of Kent, where he founded and directed the Centre for Critical Thought.

Friday Apr 10, 2020
Unforbidden Pleasures
Friday Apr 10, 2020
Friday Apr 10, 2020
Adam Phillips in conversation with Deborah Levy
Adam Phillips takes Oscar Wilde as a springboard for a deep dive into the meanings and importance of the Unforbidden, from the fall of our 'first parents' Adam and Eve to the work of the great twentieth-century psychoanalytic thinkers.
Unforbidden pleasures, he argues, are always the ones we tend not to think about, yet when you look into it, it is probable that we get as much pleasure, if not more, from them. And we may have underestimated just how restricted our restrictiveness, in thrall to the forbidden and its rules, may make us.
Adam Phillips is a psychoanalyst and the author of several previous books, all widely acclaimed, including On Kissing, Tickling and Being Bored, Going Sane and Side Effects. His most recent books are On Kindness, co-written with the historian Barbara Taylor, Missing Out: In Praise of the Unlived Life, On Balance and One Way and Another.
‘Every mind-blowing book from Adam Phillips suspends all the certainties we are most attached to and somehow makes this feel exhilarating’ - Deborah Levy
‘Phillips radiates infectious charm. The brew of gaiety, compassion, exuberance and idealism is heady and disarming’ - Sunday Times
‘Phillips is one of the finest prose stylists at work in the language, an Emerson for our time’ - John Banville
Unforbidden Pleasures is published by Hamish Hamilton (5 November 2015)
Deborah Levy writes fiction, plays, and poetry. Her work has been staged by the Royal Shakespeare Company, and she is the author of highly praised books including The Unloved, Swallowing Geography, and Beautiful Mutants. Her novel Swimming Home was shortlisted for the Man Booker Prize. In 2012 Levy adapted two of Freud's case histories, Dora and The Wolfman for BBC Radio 4. Things I Don’t Want to Know is the title of Levy’s sparkling response to George Orwell’s essay ‘Why I Write’, an autobiographical essay on writing, gender politics and philosophy. Her new novel, Hot Milk, will be published in 2016 by Hamish Hamilton.

Sunday Apr 05, 2020
Conference: The Unconscious Today 4
Sunday Apr 05, 2020
Sunday Apr 05, 2020
Session 4: The Unconscious and the Body

Sunday Apr 05, 2020
Conference: The Unconscious Today 3
Sunday Apr 05, 2020
Sunday Apr 05, 2020
Session 3: The Freudian Unconscious Revisited

Sunday Apr 05, 2020
Conference: The Unconscious Today 2
Sunday Apr 05, 2020
Sunday Apr 05, 2020

Sunday Apr 05, 2020
Conference: The Unconscious Today 1
Sunday Apr 05, 2020
Sunday Apr 05, 2020
Session 1: The Unconscious and the Brain
Mark will present neuroscientific evidence to support his argument that the mental functions Freud called ‘id’ are not unconscious! He will discuss some implications of this argument for what psychoanalysts and psychotherapists do clinically.
Mark Solms is a psychoanalyst and neuropsychologist, widely reported to have first coined the term Neuro-Psychoanalysis, a rapidly developing field of interdisciplinary scholarship and research aiming to provide bridges between the neurosciences and psychoanalytic theory. He is Professor in Neuropsychology at the University of Cape Town (South Africa), Honorary Lecturer in Neurosurgery at St Bartholomew’s and Royal London School of Medicine, Director of the Arnold Pfeffer Center for Neuropsychoanalysis at the New York Psychoanalytic Society and Institute, and Chair of the Research Committee of the International Psychoanalytical Association. He is President of the South African Psychoanalytical Association, Associate Member of the British Psychoanalytical Society, Honorary Member of the New York Psychoanalytic Society, and Member of the South African Clinical Neuropsychology Association and of the British Neuropsychological Society. He is a Member of the Academy of Science of South Africa, and Honorary Fellow of the American College of Psychoanalysts and of the American College of Psychiatrists. He has won many prestigious awards, including the Sigourney Award, and has authored a multitude of chapters, articles and books including A moment of Transition: Two Neuroscientific Articles by Sigmund Freud (1990), The Neuropsychology of Dreams: A Clinico-Anatomical Study (1997), Clinical Studies in Neuro-Psychoanalysis (with K Kaplan-Solms, 2000) and, with Oliver Turnball, The Brain and the Inner World: An Introduction to the Neuroscience of Subjective Experience (2002). He was founding editor of the journal Neuropsychoanalysis.

Monday Mar 30, 2020
The Art of Freestyle and the Unconscious Mind
Monday Mar 30, 2020
Monday Mar 30, 2020
Lecture and performance:
How do ideas pop into your head? You can think about the answer to this question at a lecture and performance about the art of Freestyle Rap by Hip-Hop artist and spoken word poet, Reveal. Using recent studies in neurology and psychology, theories of memory schemata and ideas about unconscious communication, Reveal will explore the basis of his craft within the resonant environment of the Freud Museum, and in a practical demonstration will improvise a rap to words and questions called out by members of the audience.
Reveal is a London based Iranian Hip-Hop artist, ethnomusicologist and writer. He was born in Tehran, Iran in 1983 and moved to London aged 2 with his parents, mainly to escape the Iran-Iraq war. He was raised in inner city London but continued to travel back to Tehran regularly. Having links to such contrasting urban environments has provided him with a sense of dual identity for most of his life. At a young age Reveal began performing Hip-Hop music and releasing songs under the Artist name "Reveal Poison", and at aged 16 he won the 2000 UK Freestyle Knock-out Battle Rap Championships. He went on to form the group “Poisonous Poets” who were one of the first ever UK Hip-Hop acts to be signed to a major record label, penning a deal with BMG/Arista in 2001. It was around this period that he first became aware of the emerging Persian Hip-Hop scene in Iran and he travelled back to Tehran to begin a series of collaborations with the city's artists. Reveal is currently enrolled on a Mmus Ethnomusicology programme at SOAS where he is studying part-time alongside doing youth work, touring and releasing music.

Wednesday Mar 25, 2020
The Unconscious from Freud to Lacan
Wednesday Mar 25, 2020
Wednesday Mar 25, 2020
While the contents of the unconscious might be obscure and perplexing, when Freud spoke about 'the unconscious' he meant something very precise. This talk will look at Freud's 'discovery' of the unconscious, and at his conceptualisation of it. It will also deal with the peculiar logic of symptom formation. From there, it will go on to look at Lacan's notion of the language-like unconscious, showing how this was developed in accordance with Freud's ideas.
Anouchka Grose is a psychoanalyst and writer practising in London. She is a member of the Centre for Freudian Analysis and Research, where she regularly lectures. She is the author of No More Silly Love Songs: a realist’s guide to romance (Portobello, 2010) and Are you Considering Therapy (Karnac, 2011), and is the editor of 'Hysteria Today', a collection of essays to be published by Karnac later this year. She also writes for The Guardian and teaches at Camberwell School of Art.
Part of an exciting season of talks, events and conferences accompanying the exhibition ‘Festival of the Unconscious’, 24 June- 4 October 2015.

Monday May 22, 2017
Fourth Person Singular: Josh Cohen in conversation with Nuar Alsadir
Monday May 22, 2017
Monday May 22, 2017
Claudia Rankine described the poems in Alsadir’s first book as 'lawless,' ‘provocative, and 'heart-breaking' as they converse from the inside out… come alive in the back and forth of a mind attempting to understand what it means to be in relation to. ’Fourth Person Singular continues to blow open the relationship between self and world in a working through of lyric shame, bending poetic form through fragment, lyric essay, aphorisms mined from the unconscious, and pop-up associations, to explore the complexities, congruities, disturbances - as well as the beauty - involved in self-representation in language. As unexpected as it is bold, Alsadir's ambitious tour de force demands we pay new attention to the current conversation about the nature of lyric – and human relationships – in the 21st century.
She talks to psychoanalyst and writer Josh Cohen about poetry, dreams, shame and related topics.
Praise for Fourth Person Singular:
‘To read Fourth Person Singular is to fall in love – that’s all I can say to capture the experience of being so scarily and exhilaratingly close to someone else’s thoughts on every vital page. Alsadir’s work is, as ever, full of astute observations and insights driven by a deep intellect, alive to the world and our fears, pressures, dreams and ideas. But there’s something greater here too: a unity of form and content, process and delivery which transfigures the conceptual and the lyric. I don't remember the last time I've read something which is at once so alive and so vigorously smart and ambitious; uniquely self-aware, caustically funny whilst constantly generous and compassionate. The rare joy of a writer finding the exact form for their voice and their mission. Essential reading.’
--Luke Kennard
'Fourth Person Singular is poetry that is neither verse nor exactly prose poetry, but aphorism, perception, quotation, annotation, a squeezing between the gaps in the windows and doorways of experience seeking for air. It is more than its pieces: it is a whole that is a form of understanding. It is that whole that is the complex and revelatory poem.'
--George Szirtes

Friday May 06, 2016
Makers and scribblers: explorers of desire, fear and everything in between
Friday May 06, 2016
Friday May 06, 2016
Oona Grimes, Rachel Goodyear, Carol Seigel, Dr Cleo Van Velsen, chaired by Jeremy Akerman
Join artists Oona Grimes and Rachel Goodyear, Freud Museum London Director, Carol Seigel and Consultant Psychiatrist in Forensic Psychotherapy Dr Cleo Van Velsen, as they explore the artists’ work in the context of both the Freud family home and the Tall Tales touring exhibition programme.
Oona Grimes is a London based compulsive scribbler, maker and storyteller. She is a visiting Lecturer at the Royal College of Art, London, and Ruskin School of Art : Oxford University & University of the Arts London, represented by Danielle Arnaud.
Rachel Goodyear’s practice has a primary focus on drawing. Often using familiar but incongruous images, Goodyear’s delicately rendered works reference human fears and desires and pre-sent a precarious balance between the playful and the macabre. Rachel lives and works in Manchester, is represented by Pippy Houldsworth Gallery and in 2015/2016 had a major solo exhibition Restless Guests, at The Drawing Centre, New York.
Carol Seigel has been Director of the Freud Museum London since 2009. Carol is a historian, and has worked at museums in London for over twenty years, including the Jewish Museum, the Museum of London, and Hampstead Museum.
Dr Cleo Van Velsen is currently the Responsible Clinician in the Personality Disorder Medium Secure Unit in East London. She has worked for the Medical Foundation for the Care of Victims of Torture and has extensive experience in the assessment, management and treatment of those suffering with personality difficulties, violence and trauma. She is the coeditor of a textbook on Forensic Psychotherapy and section editor of the Edinburgh International Encyclopedia of Psychoanalysis.
Jeremy Akerman is an artist and one half of Akerman Daly (Est. 2004), an organisation dedicated to publishing writing by artists. AD’s online presence makes the case for text as image. Akerman’s city and rural landscape paintings deploy a perspectival axis that directs a viewer’s eye through the picture. The viewer’s eye travels in, finding that the painting collapses and re-constitutes itself as they do so.

Monday Nov 30, 2015
Conference: The Effectiveness of Symbols
Monday Nov 30, 2015
Monday Nov 30, 2015

Monday Nov 30, 2015
Conference: The Effectiveness of Symbols
Monday Nov 30, 2015
Monday Nov 30, 2015

Monday Nov 30, 2015
Conference: The Effectiveness of Symbols
Monday Nov 30, 2015
Monday Nov 30, 2015

Monday Nov 30, 2015
Conference: The Effectiveness of Symbols
Monday Nov 30, 2015
Monday Nov 30, 2015
Part 2: Henrietta Moore - Exclusion, Unsustainability and the Determinations of the Symbolic
This paper discusses the difficulties of adhering to Lévi-Strauss’s view of the symbolic and his account of the effectiveness of symbols. It uses material from Papua New Guinea and China to explore the relationship between desire and ethics as a means of exploring some contemporary problems in articulating the relationship between the psyche and the social.
Henrietta Moore is the founding Director of the new Institute for Global Prosperity at University College London where she also holds the Chair of Philosophy, Culture and Design. She is an internationally renowned social anthropologist who has written extensively on the interrelation between material and symbolic gender systems, embodiment and subjectivity. She is the author of several books, including The Subject of Anthropology (2007), a cutting-edge analysis of gendered subjectivity and a ground-breaking contribution to the debates between anthropology and psychoanalysis.
Why do symbols have such a powerful influence on human beings?
This question lies at the heart of both psychoanalysis and anthropology. In his seminal paper ‘The Effectiveness of Symbols’, French anthropologist Claude Lévi-Strauss compared the healing practices of shamans and psychoanalysts in terms of the structuring effects of symbol and language on the body.
Lévi-Strauss opened up new ways of thinking about the symbolic dimension of human life, offering a subtle reformulation of the Freudian unconscious and putting forward a theory of symbolic function that continues to resonate within both fields.
This conference brings together eminent speakers from the fields of psychoanalysis and anthropology to reflect on Lévi-Strauss’ paper and its influence, and to discuss symbolic effectiveness in their own research and practice.

Monday Nov 30, 2015
Conference: The Effectiveness of Symbols
Monday Nov 30, 2015
Monday Nov 30, 2015
Part 1: Stefan Marianski - Introduction
By means of introduction, Stefan will present a short synopsis of Levi-Strauss’ paper ‘The Effectiveness of Symbols’, discussing some of its key ideas, its psychoanalytic influences, and how Levi-Strauss’ thought was in turn taken up within psychoanalysis.
Why do symbols have such a powerful influence on human beings?
This question lies at the heart of both psychoanalysis and anthropology. In his seminal paper ‘The Effectiveness of Symbols’, French anthropologist Claude Lévi-Strauss compared the healing practices of shamans and psychoanalysts in terms of the structuring effects of symbol and language on the body.
Lévi-Strauss opened up new ways of thinking about the symbolic dimension of human life, offering a subtle reformulation of the Freudian unconscious and putting forward a theory of symbolic function that continues to resonate within both fields.
This conference brings together eminent speakers from the fields of psychoanalysis and anthropology to reflect on Lévi-Strauss’ paper and its influence, and to discuss symbolic effectiveness in their own research and practice.

Friday Jul 24, 2015
Rorschach Audio
Friday Jul 24, 2015
Friday Jul 24, 2015
An Evening of Psychoacoustic and Optical Illusions
The book Rorschach Audio: Art & Illusion for Sound, by author and installation artist Joe Banks, takes as its central metaphor the comparison between the perception of ambiguous speech-sounds, and the “projective” interpretation of the famous ink-blot tests devised by the Freudian psychoanalyst Hermann Rorschach in 1921.
With a nod to the model of perception proposed by Freud, Banks explores relationships between mechanisms of aural and visual perception, demonstrating a series of highly entertaining and sometimes bizarre psychoacoustic and optical illusions.
With a further nod to ideas proposed in Freud’s The Future of An Illusion, the lecture focusses on a critique of Spiritualistic and allegedly supernatural Electronic Voice Phenomena (ghost-voice) recordings, a theme wildly popular in contemporary sound installation art. Banks traces the illusions involved as far back as the artist generally recognised as the most important figure in the history of Western art, and reveals the role that relatively little-known wartime intelligence work with sound had on what is arguably the most important work of visual arts theory ever published.
Joe Banks produces the installation art and electronic music project Disinformation. Disinformation exhibits and performs internationally, has been the subject of over a dozen UK solo exhibitions - including a recent solo installation at Talbot Rice Gallery in Edinburgh, and has exhibited in group shows at Kiasma (Helsinki), CCCB (Barcelona), Kettle’s Yard (Cambridge) and The Hayward Gallery (London).