Episodes
Monday Oct 28, 2013
Monday Oct 28, 2013
Closing Discussion: Internal and External Reality: The Ferenczi Project
Monday Oct 28, 2013
Sincerity and Freedom in Psychoanalysis 8: Psychoanalysis and Politics
Monday Oct 28, 2013
Monday Oct 28, 2013
Monday Oct 28, 2013
Sincerity and Freedom in Psychoanalysis 7: Ferenczi and Others
Monday Oct 28, 2013
Monday Oct 28, 2013
Panel 7: Ferenczi and Others
Monday Oct 28, 2013
Monday Oct 28, 2013
Panel 6: Therapeutic Ethics and Analytic Concepts
Monday Oct 28, 2013
Sincerity and Freedom in Psychoanalysis 5: Kino-Analytic Panel
Monday Oct 28, 2013
Monday Oct 28, 2013
Panel 5: Kino-Analytic Panel
Monday Oct 28, 2013
Sincerity and Freedom in Psychoanalysis 4: From Babies to Maturity
Monday Oct 28, 2013
Monday Oct 28, 2013
Panel 4: From Babies to Maturity
Monday Oct 28, 2013
Monday Oct 28, 2013
Panel 3: Experiencing, Re-Experiencing, Symbolization and New Beginnings
Monday Oct 28, 2013
Sincerity and Freedom in Psychoanalysis 2: Sincerity, Honesty and Freedom
Monday Oct 28, 2013
Monday Oct 28, 2013
Panel 2: Sincerity, Honesty and Freedom
Monday Oct 28, 2013
Monday Oct 28, 2013
Panel 1: Analysts, Scholars, Detectives and Patients: Who is who in the Clinical Diary?
Monday Oct 28, 2013
Sincerity and Freedom in Psychoanalysis: Opening the Diary
Monday Oct 28, 2013
Monday Oct 28, 2013
Introductory remarks by Dawn Kemp and Judit Szekacs
Thursday Oct 10, 2013
Thursday Oct 10, 2013
Thursday Oct 10, 2013
Thursday Oct 10, 2013
Inge Wise - Die Walküre: A Tale of Oedipal Longings and Desires
Wagner, Freud and the End of Myth: Day conference, Saturday 28 September 2013
[No abstract]
Inge Wise studied English, French and Spanish literature and worked as simultaneous interpreter prior to training at the Tavistock Clinic and the British Psychoanalytic Society. She is a fellow of both the BPAS and of the Institute of Psychoanalysis. She founded the Psychoanalytic Ideas series published by the Institute of Psychoanalysis, which she co-edited with Paul Williams until 2011. She works in private practice and teaches/supervises in the UK and abroad. Music has been a constant in her life.
Thursday Oct 10, 2013
Thursday Oct 10, 2013
In this conversation we will explore Bryan Magee's long-standing work on music and philosophy with reference to the impact on Wagner's operas of 19th century philosophers, most notably Schopenhauer, and Wagner’s concomitant influence on philosophy through his association with Nietzsche. In their writing, all three men elaborated ideas about unconscious forces and desires at work in human affairs, famously anticipating Freud and modernism. No 20th century composer could avoid the influence of Wagner and there were many artistic developments, including the breakdown of tonality itself. Likewise, with the advent of psychoanalysis there was no going back to any ideal of a unitary self or a philosophical ‘subject’.
Bryan Magee has had a lifelong engagement with philosophy and music. His work includes the award winning radio and TV series in which he interviewed contemporary thinkers such as Sir Alfred Ayer and Herbert Marcuse as well as exploring the ideas of philosophers of the past. His books include the autobiographical Confessions of a Philosopher and an acclaimed introduction to Karl Popper. He wrote The Philosophy of Schopenhauer and two books on Wagner; Aspects of Wagner and The Tristan Chord; Wagner and Philosophy. Like these two major figures in his creative life Bryan Magee has himself been a man of action as wells of ideas. In the1960s he made documentaries on prostitution, abortion and homosexuality and was Labour MP for Leyton in the 1970s and 80s. He has the gift of communicating his own love of ideas and music in a way that engages both aficionados and newcomers.
Stephen Gee is a member and former Chair of The Site for Contemporary Psychoanalysis. He has contributed to Site conferences on Winnicott, Lacan, Homosexuality, and Class. He organised a rehearsed reading of Sarah Kane's '4:48 Psychosis' followed by a colloquium in which psychoanalysts of different schools talked about the issues raised by the play and the challenges facing people suffering with psychosis. He ran a performance group at the Studio Upstairs where he was also a supervisor. He is a member of the editorial group of the Site's psychoanalytic journal, and has written on the problematic history of psychoanalysis and homosexuality. He interviewed the director Phyllida Lloyd at The Site and at the English National Opera on her 2005 production of Wagner's Ring cycle. He has a private practice in South London and teaches regularly at The Site and on other psychoanalytic trainings.
Thursday Oct 10, 2013
Thursday Oct 10, 2013
Stephen Gross - Freud and Wagner: The Assault on Reason
Wagner, Freud and the End of Myth: Day conference, Saturday 28 September 2013
A highly significant connection linking Freud and Wagner is the German philosopher Arthur Schopenhauer. His claim that true reality consists of the primordial and undifferentiated Will beyond both space and time as well as the reach of Reason and appearance, was hugely influential on Wagner's music, particularly "Tristan and Isolde" as Bryan Magee has argued in his celebrated study Wagner and Philosophy. Freud's notion of the unconscious, most specifically the id as seat of the sex drives, can now be seen as a derivation of Schopenhauer's ideas, thereby establishing his link with Wagner. The fierce resistance and hostility towards both Freud and Wagner was founded not only on their perceived assault on prevailing sexual mores, but their assault on Reason itself, and, in Wagner's case, on his association with Nazism.
Stephen Gross is an analytic psychotherapist in private practice. He also teaches and supervises at WPF Therapy and other training organisations. He is particularly interested in the overlap between psychotherapy and literature, especially the works of Shakespeare on which he has published widely. His first play, "Freud's Night Visitors" has been performed twice at The Freud Museum London.
Thursday Oct 10, 2013
Thursday Oct 10, 2013
Estela Welldon - The Chaste and the Driven: Power struggles in Wagner's Women
Wagner, Freud and the End of Myth: Day conference, Saturday 28 September 2013
Far from being the passive victims of popular imagination, Wagner’s women are often complex, paradoxical and driven characters, representing diverse aspects of femininity and female desire. Wagner’s mythic narratives unveil power struggles between men and women, and between women themselves, representing warring currents of emotion within female psychology.
Estela Welldon is a psychotherapist who worked for many years at the Portman Clinic and in private practice. She is the founder of the International Association for Forensic Psychotherapy and a Fellow of the Royal College of Psychiatrists. She is most famous for her book Mother, Madonna Whore: The Idealization and Denigration of Motherhood (1988) which quashed the myth that ‘perversion’ was largely a male preserve and opened up a whole new field of therapeutic enquiry. In 1997 Oxford Brookes University awarded Dr. Welldon a D.Sc. Honorary Doctorate of Science degree for her contributions to the field of forensic psychotherapy, and this year she was invited to become an Honorary member of the American Psychoanalytic Association. She is principal editor of A Practical Guide to Forensic Psychotherapy (1997) and author of Sadomasochism (2002). Her latest publication is Playing with Dynamite: A Personal Approach to the Understanding of Perversions, Violence and Criminality (Karnac, 2011) Her interest in Wagner is long-standing.
Thursday Oct 10, 2013
Thursday Oct 10, 2013
Gavin Plumley - Private Theatre and Hysterical Opera: Wagner’s influence in Freud’s Vienna
Wagner, Freud and the End of Myth: Day conference, Saturday 28 September 2013
Post-Wagnerian composers in Vienna, hugely influenced by the Bayreuth Behemoth, actively explored the kind of mental dissociation described in Freud and Breuer's Studies on Hysteria (1894). Employing vast orchestras to create swirling psychodramas, their operas offer a beguiling artistic response to Anna O's idea of 'private theatre', and to Wagner’s use of the mythological as a way of approaching psychological ‘truths’. A few decades later many of those composers, exiled by the Nazis, employed the same soundworld to accompany the ultimate dissociative narratives of Hollywood's Silver Screen. In this paper I will look at operas by Schreker, Korngold and their contemporaries through a Freudian lens.
Gavin Plumley is a writer and broadcaster, specialising in the music and culture of Central Europe. He has appeared on BBC Radio 3 and has recently spoken at the Royal Opera House, ENO, the CBSO, V&A, The Freud Museum, and the Neue Galerie New York. He has given a number of talks at the Southbank Centre’s ‘The Rest is Noise’ festival this year and was recently appointed commissioning editor for the English language programmes at the Salzburg Festival. www.entartetemusik.blogspot.com
Thursday Oct 10, 2013
Wagner, Freud and the End of Myth 1: Anthony Cantle - Introductory Remarks
Thursday Oct 10, 2013
Thursday Oct 10, 2013
Anthony Cantle - Introductory Remarks
Wagner, Freud and the End of Myth: Day conference, Saturday 28 September 2013
Anthony Cantle has introduced and chaired three previous Freud Museum events - on the "Therapist's Body" (2000), "Understanding Perversion" (2009) and "Mahler" (2010). He is a practising Psychoanalyst and Psychoanalytic Psychotherapist and a Fellow of The Institute of Psychoanalysis, London and its former Curator. Formerly Founder and Director of the Open Door Adolescent Consultation Service in London he has also taught on the MA in Psychotherapy at the Tavistock Clinic. He worked for many years at the St Albans College of Art & Design where he set up and offered a consultation service to postgraduate students studying Art, Dance & Drama Therapies.
In addition to his clinical practice he is currently a Training Analyst and Supervisor for the former British Association of Psychotherapists, the Lincoln Clinic for Psychotherapy and the London Centre for Psychotherapy and the Tavistock Clinic and the Tavistock Centre for Couple Relationships. He is also member of the UK Mahler Society and participated in the 2009 BBC Series “Robert Winston’s Musical Analysis” where he spoke about the marriage of Gustav and Alma Mahler. In 2010 he introduced and chaired the Freud Museum event - with Gavin Plumley as the guest speaker - and entitled "The 'Faust' Problem: Music and Madness in Mahler's Vienna. Later the same year, as part of the centenary celebrations of Mahler's death, the BBC asked Anthony Cantle and the British composer and Mahler expert David Matthews to make a programme about Gustav Mahler's meeting and four hour conversation with Sigmund Freud in the Dutch city of Leiden. Recorded on location, "Walking with Freud" was transmitted in 2010 and was repeated as the interval documentary during the 2011 BBC Proms season.
Anthony Cantle was also a contributor to the 2011 BBC Radio Four series "Soul Music" featuring the Adagietto from Mahler's 5th symphony and assisted in the BBC Wales production of the 2012 two part programme on the Finnish composer, Jean Sibelius.