Freud Museum London: Psychoanalysis Podcasts A treasure trove of ideas in psychoanalysis. History, theory, and psychoanalytic perspectives on a diverse range of topics. www.freud.org.uk

October 22, 2018  

Join distinguished art historian and curator, Dawn Ades as she discusses her latest exhibition ‘Freud, Dali and the Metamorphosis of Narcissus’ with psychoanalyst Darian Leader.

Dalí was a passionate admirer of the father of psychoanalysis and finally met him in London on July 19th 1938. This year marks the 80th anniversary of this event. A new exhibition at the Freud Museum will explore the connection between the two men, starting from their one meeting, to which Dalí brought his recently completed painting The Metamorphosis of Narcissus.

The painting, on loan from the Tate, will be the central point in the exhibition for an exploration of the extensive influence of Freud on Dalí and on Surrealism. Also considered will be Freud’s own attitude to painting, illuminated by his response to this encounter with Dalí.

Part of an exciting series of talks and events which coincide with ‘Freud, Dali and the Metamorphosis of Narcissus’ on display the Museum from 3 October 2018 – 24 February 2019.

Dawn Ades is Professor Emerita of the History and Theory of Art at the University of Essex, Professor of the History of Art at the Royal Academy, a former trustee of Tate (1995-2005) and of the National Gallery (2000-2005) and a Fellow of the British Academy. In 2013 she was appointed CBE for services to higher education.

The many exhibitions she has organized or co-curated, in the UK and abroad, include Dada and Surrealism Reviewed (1978); Art in Latin America: the Modern Era 1820-1980 (1989); Dalí’s Optical Illusions (2000); Salvador Dalí: the Centenary Exhibition (2004); Undercover Surrealism: Georges Bataille and Documents (2006); Close-Up: Proximity and Defamiliarisation in Art, Photography and Film (2008); and Dalí/Duchamp, (Royal Academy and the Dalí Museum 2017-18).

Darian Leader is a psychoanalyst working in London and a member of the Centre for Freudian Analysis and Research and of The College of Psychoanalysts-UK. He is the author of several books including: ‘Why do women write more letters than they post?’; ‘Freud’s Footnotes’; ‘Stealing the Mona Lisa: What Art Stops Us From Seeing’; ‘Why do people get ill?’ (with David Corfield) , ‘The New Black: Mourning, Melancholia and Depression’, ‘What is Madness?’ , ‘Strictly Bipolar’ and ‘Hands’, and frequently about contemporary art.

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June 15, 2018  

Despite Freud’s traditional views on women, psychoanalysis was one of the first professions to open its doors to them. Feminists past and present may have contested Freud’s ever-changing understandings of femininity. They have also elaborated on them. 

In this discussion, Lisa Appignanesi co-author of the now classic Freud’s Women and psychoanalyst Susie Orbach, founder of the Women’s Therapy Centre and author of that perennial bestseller Fat is A Feminist Issue explore what women past and present have contributed to psychoanalysis.

Freud's Women is held in conjunction with the Freud Museum London's winter exhibition, So This is the Strong Sex, Early Women Psychoanalysts.

ABOUT THE SPEAKERS
Lisa Appignanesi is Chair of the Royal Society of Literature and the Man Booker International Prize. Her many books include Mad, Bad and Sad: A History of Women and the Mind Doctors and Trials of Passion: Crimes in the Name of Love and Madness.

Susie Orbach is a leading psychoanalyst. Amongst her many books are Bodies and In Therapy. Founder of the Women's Therapy Centre and the Women's Therapy Centre Institute, Susie has recently received the first ever Lifetime Achievement Award from the British Psychoanalytic Council.

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June 15, 2018  

Open Discussion 

Solitary Pleasures in art and psychoanalysis is a day-long conference to accompany Solitary Pleasures, a group exhibition at the Freud Museum.

The conference, like the exhibition, reveals masturbation as a topic that can transform our understanding of human subjectivity and sexuality. Perhaps the most common form of human eroticism, it is also one of the least theorised. The conference will explore our complex sexual, erotic, and intimate encounters with ourselves and one another by viewing masturbation as an all-inclusive practice – gay, lesbian, heterosexual, bisexual, trans, queer, +, offering possibilities of a shared exchange and an intimate encounter between couples, lovers and strangers in ways that redefine desires and eroticism’s possibilities.

Conference themes:

History – the cultural history of masturbation
Talking – masturbation in clinical practice and literature
Educating – masturbation in sexual health and wellbeing
Making – masturbation in creativity and art practice

 
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June 15, 2018  

Open Discussion 

Solitary Pleasures in art and psychoanalysis is a day-long conference to accompany Solitary Pleasures, a group exhibition at the Freud Museum.

The conference, like the exhibition, reveals masturbation as a topic that can transform our understanding of human subjectivity and sexuality. Perhaps the most common form of human eroticism, it is also one of the least theorised. The conference will explore our complex sexual, erotic, and intimate encounters with ourselves and one another by viewing masturbation as an all-inclusive practice – gay, lesbian, heterosexual, bisexual, trans, queer, +, offering possibilities of a shared exchange and an intimate encounter between couples, lovers and strangers in ways that redefine desires and eroticism’s possibilities.

Conference themes:

History – the cultural history of masturbation
Talking – masturbation in clinical practice and literature
Educating – masturbation in sexual health and wellbeing
Making – masturbation in creativity and art practice

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June 15, 2018  

Open Discussion 

Solitary Pleasures in art and psychoanalysis is a day-long conference to accompany Solitary Pleasures, a group exhibition at the Freud Museum.

The conference, like the exhibition, reveals masturbation as a topic that can transform our understanding of human subjectivity and sexuality. Perhaps the most common form of human eroticism, it is also one of the least theorised. The conference will explore our complex sexual, erotic, and intimate encounters with ourselves and one another by viewing masturbation as an all-inclusive practice – gay, lesbian, heterosexual, bisexual, trans, queer, +, offering possibilities of a shared exchange and an intimate encounter between couples, lovers and strangers in ways that redefine desires and eroticism’s possibilities.

Conference themes:

History – the cultural history of masturbation
Talking – masturbation in clinical practice and literature
Educating – masturbation in sexual health and wellbeing
Making – masturbation in creativity and art practice

 
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June 15, 2018  

Jordan McKenzie
The Art of Cuming: Getting Jizzy With It

Jordan Mckenzie presents a live reading examining SPENT, a series of auto-drawings made over a two year period that explored repetition and mark making in relation to onanistic production. 

Jordan McKenzie has presented performances, films, drawings and installations both nationally and internationally, including ‘Shame Chorus’, an uplifting project developed with the London Gay Men’s Choir and commissioned by the Freud Museum London. He is Lecturer in Drawing at Camberwell College of Arts, University of the Arts London.

Solitary Pleasures in art and psychoanalysis is a day-long conference to accompany Solitary Pleasures, a group exhibition at the Freud Museum.

The conference, like the exhibition, reveals masturbation as a topic that can transform our understanding of human subjectivity and sexuality. Perhaps the most common form of human eroticism, it is also one of the least theorised. The conference will explore our complex sexual, erotic, and intimate encounters with ourselves and one another by viewing masturbation as an all-inclusive practice – gay, lesbian, heterosexual, bisexual, trans, queer, +, offering possibilities of a shared exchange and an intimate encounter between couples, lovers and strangers in ways that redefine desires and eroticism’s possibilities.

Conference themes:

History – the cultural history of masturbation
Talking – masturbation in clinical practice and literature
Educating – masturbation in sexual health and wellbeing
Making – masturbation in creativity and art practice

 
 

 

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June 15, 2018  

Florence Schechter
Why The World Needs A Vagina Museum

There is a penis museum in Iceland, but no vagina equivalent anywhere in the world. Florence discusses her experience in why she chose to set up the world's first bricks and mortar vagina museum and the strange reactions she's got along the way.

Florence Schechter is a Science Communicator and Director of The Vagina Museum.

Solitary Pleasures in art and psychoanalysis is a day-long conference to accompany Solitary Pleasures, a group exhibition at the Freud Museum.

The conference, like the exhibition, reveals masturbation as a topic that can transform our understanding of human subjectivity and sexuality. Perhaps the most common form of human eroticism, it is also one of the least theorised. The conference will explore our complex sexual, erotic, and intimate encounters with ourselves and one another by viewing masturbation as an all-inclusive practice – gay, lesbian, heterosexual, bisexual, trans, queer, +, offering possibilities of a shared exchange and an intimate encounter between couples, lovers and strangers in ways that redefine desires and eroticism’s possibilities.

Conference themes:

History – the cultural history of masturbation
Talking – masturbation in clinical practice and literature
Educating – masturbation in sexual health and wellbeing
Making – masturbation in creativity and art practice

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June 15, 2018  

Prof. Johnny Golding is Professor of Philosophy & Fine Art at the RCA where she leads the PhD Research Group ‘Entanglement’. Internationally renowned for her philosophy-poetic enactments and sound-scape exhibitions, her research covers the entangled dimensionalities of Radical Matter, an intra-disciplinary arena of art, philosophy and the wild sciences.

Solitary Pleasures in art and psychoanalysis is a day-long conference to accompany Solitary Pleasures, a group exhibition at the Freud Museum.

The conference, like the exhibition, reveals masturbation as a topic that can transform our understanding of human subjectivity and sexuality. Perhaps the most common form of human eroticism, it is also one of the least theorised. The conference will explore our complex sexual, erotic, and intimate encounters with ourselves and one another by viewing masturbation as an all-inclusive practice – gay, lesbian, heterosexual, bisexual, trans, queer, +, offering possibilities of a shared exchange and an intimate encounter between couples, lovers and strangers in ways that redefine desires and eroticism’s possibilities.

Conference themes:

History – the cultural history of masturbation
Talking – masturbation in clinical practice and literature
Educating – masturbation in sexual health and wellbeing
Making – masturbation in creativity and art practice

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June 15, 2018  

David Morgan (psychoanalyst)
Giving a Toss: From Onan's Simple Pleasure to Developmental Cul de Sac

Masturbation is a dress rehearsal for what hopefully becomes a sexual relationship. It operates in the main at a fantasy level in the mind of one, and leads sometimes, as part of a sexual lexicon, to two person mutuality.

However in this time of market economy pornography it can become a developmental Cul de sac where fantasy provides an endless cornucopia in which the real person with real limitations is commodified and becomes a ‘second eleven’ choice.

David Morgan is a Psychoanalyst at the BPAS and a Training Analyst at the BPA. He is the organiser of the Political Minds seminars at the British Psychoanalytic Society and hosts the 'Frontier Psychoanalyst' podcasts. He is co-editor with Stan Ruszczynski of Sexuality Delinquency and Violence, published by Karnac Books. He has worked as a consultant psychotherapist in the NHS for 25 years at Camden Psychotherapy Unit and the Portman Clinic, regularly contributes to radio and television programmes, and lectures nationally and internationally. 

Solitary Pleasures in art and psychoanalysis is a day-long conference to accompany Solitary Pleasures, a group exhibition at the Freud Museum.

The conference, like the exhibition, reveals masturbation as a topic that can transform our understanding of human subjectivity and sexuality. Perhaps the most common form of human eroticism, it is also one of the least theorised. The conference will explore our complex sexual, erotic, and intimate encounters with ourselves and one another by viewing masturbation as an all-inclusive practice – gay, lesbian, heterosexual, bisexual, trans, queer, +, offering possibilities of a shared exchange and an intimate encounter between couples, lovers and strangers in ways that redefine desires and eroticism’s possibilities.

Conference themes:

History – the cultural history of masturbation
Talking – masturbation in clinical practice and literature
Educating – masturbation in sexual health and wellbeing
Making – masturbation in creativity and art practice

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June 15, 2018  

Ivan Ward Whacking and Strumming: A Freudian Perspective

Freud called it the ‘primal addiction’, but is there a more positive way of looking at masturbation from a Freudian perspective?

Ivan Ward is Deputy Director and Head of Learning at the Freud Museum London and manager of the museum’s conference programme. He is the author of a number of books and papers on psychoanalytic theory and on the applications of psychoanalysis to social and cultural issues. His latest publication is ‘Parsifal as Castration Drama’ (2017) in a special issue of The Wagner Journal based on a conference organised by the Freud Museum in 2016.

Solitary Pleasures in art and psychoanalysis is a day-long conference to accompany Solitary Pleasures, a group exhibition at the Freud Museum.

The conference, like the exhibition, reveals masturbation as a topic that can transform our understanding of human subjectivity and sexuality. Perhaps the most common form of human eroticism, it is also one of the least theorised. The conference will explore our complex sexual, erotic, and intimate encounters with ourselves and one another by viewing masturbation as an all-inclusive practice – gay, lesbian, heterosexual, bisexual, trans, queer, +, offering possibilities of a shared exchange and an intimate encounter between couples, lovers and strangers in ways that redefine desires and eroticism’s possibilities.

Conference themes:

History – the cultural history of masturbation
Talking – masturbation in clinical practice and literature
Educating – masturbation in sexual health and wellbeing
Making – masturbation in creativity and art practice

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June 15, 2018  

Milja Kaunisto (novelist)
A Man’s Right Hand — Dr. Tissot’s Crusade Against Masturbation

In 18th century Switzerland, at the time of Enlightment, the beginning of industrialization, great luxury and social injustice, Dr. Samuel-August Tissot believes he has found a disease that he claims “has killed more young men than any other diseases combined”. With the help of his research assistant, Dr. Petrus von Taube, Tissot embarks on a journey to cure the world of masturbation once and for all.

Milja Kaunisto is a Finnish author of best-selling historical novels, and acclaimed for her frankness in depicting human sexual behaviour. She is currently writing her eighth novel, A Man’s Right Hand, a portrait of 18th-century Swiss physician, Dr. Tissot, and his campaign against masturbation. Through writing this novel, Kaunisto wants to both demystify and celebrate the humankind’s most hidden, underrated and long-lasting love affair: the solitary pleasure.

Solitary Pleasures in art and psychoanalysis is a day-long conference to accompany Solitary Pleasures, a group exhibition at the Freud Museum.

The conference, like the exhibition, reveals masturbation as a topic that can transform our understanding of human subjectivity and sexuality. Perhaps the most common form of human eroticism, it is also one of the least theorised. The conference will explore our complex sexual, erotic, and intimate encounters with ourselves and one another by viewing masturbation as an all-inclusive practice – gay, lesbian, heterosexual, bisexual, trans, queer, +, offering possibilities of a shared exchange and an intimate encounter between couples, lovers and strangers in ways that redefine desires and eroticism’s possibilities.

Conference themes:

History – the cultural history of masturbation
Talking – masturbation in clinical practice and literature
Educating – masturbation in sexual health and wellbeing
Making – masturbation in creativity and art practice

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May 17, 2018  

 

Opening remarks from Dr Noreen Giffney and Eve Watson

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April 13, 2018  

Ms Ann Murphy

SESSION 3: ‘Experience’ & ‘Encounter’ in Practice & theory

Session three begins with each discussant giving a brief, informal talk (10 mins each) on the speaker’s understanding of the two terms ‘experience’ and ‘encounter’ based on the discussant’s practice as a clinician and/or an artist and/or a theorist. ‘Experience’ and ‘encounter’ are two central concepts underpinning the book Clinical Encounters in Sexuality.

Ms Ann Murphyis a clinical psychologist, psychoanalytic psychotherapist and visual artist. She was a founder and Director of the MSc in Psychoanalytic Psychotherapy in the Department of Psychiatry, School of Medicine at Trinity College Dublin. She lectures on psychoanalysis, particularly Melanie Klein and Wilfred Bion, on post-graduate courses at Trinity College Dublin and St Vincent’s University Hospital Dublin, and is a training analyst and clinical supervisor. She has a private practice in Dublin. She contributed to two recent publications: The Winnicott Tradition, edited by Margaret Boyle Spelman and Frances Thomson-Salo (Karnac 2015), and Clinical Encounters in Sexuality. Ann has exhibited in a number of venues, including The Lab, Dublin, Dublin Castle, PS2 Belfast, and Mermaid Arts Centre, County Wicklow. She is at the beginning of an interdisciplinary collaboration with psychoanalytic psychotherapist and cultural theorist Noreen Giffney, which will bring together visual arts practice with clinical psychoanalytic thinking.

 

 

 

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